Kate ([info]digital_eraser) wrote,
@ 2007-11-29 10:37:00
Previous Entry  Add to memories!  Tell a Friend!  Next Entry
Current location:Madtown, WI
Entry tags:comics, fantastic four, gender in comics, jack kirby, stan lee

Stan's Vs. Jack's Sue Storm
I've been reading Essential Fantastic Four Vol. 1, curious about this classic run that launched the Marvel universe. It's very interesting to see the issue-by-issue evolution, with Stan and Jack figuring things out as they go along.

There were also a few things that I didn't realize about the original issues. One of the big ones being that Sue Storm didn't gain her forcefield abilities until much much later -- originally, her power was simply to turn invisible, and that's it. There's a "get to know the FF" back-up story in one issue where we see some kids playing make-believe Fantastic Four, which is unintentionally hilarious in showing just how "fun" it'd be to be stuck playing Sue in this case:



Sue apparently feels similarly, but the guys assure her that's nonsense:



Sue Storm: Cheerleader.

The most interesting thing about reading these first twenty issues so far though, is that I feel like I'm reading about two very distinct Sue Storms. One is the Sue Storm portrayed in text and by her dialogue, the ditsy, domesticated, and often-worried Sue Storm whose main concerns seem to be clothes, men, cleaning the house, and whether Reed will be able to save the day. The other is the Sue Storm portrayed by her actions, the strong, determined, and fearless Sue Storm.

The latter Sue Storm is the one who, though frequently separated from the group when the villain takes her hostage, manages half the time to escape on her own and rescue the guys. Or when Impossible Man turns into a jet-propelled missile flying around the room and no one knows how to stop him, this Sue goes invisible and fearlessly stands in his path in order to bring him to a halt (he turns into flowers at the last minute, upon impact).

Remembering that Stan and Jack worked on the stories "Marvel-style," wherein Stan would give Jack a plot summary, Jack would work out the smaller story details, and then Stan wrote the dialogue over it, I started to wonder if perhaps what I was witnessing here was Stan and Jack's varying attitudes towards women heroes.

For example, during the FF's fourth confrontation with Doom, Sue ends up finding Doom before the rest of the team. Rather than waiting for the guys, she decides to go up against him on her own, and totally kicks his ass! But it seems as thought Stan felt a girl being able to get the best of Doom little too unbelievable (despite how tough I imagine it'd be to fight hand-to-hand with an invisible foe?), and instead comes up with this out-of-nowhere retcon:



Ah, so it's Reed who deserves all the credit...Stan could *totally* write for Heroes! *snark*

But yeah, the further into the series I went, the more plausible it seemed that Jack was all about trying to make Sue a bad-ass (while Stan was more interested in portraying her as a housewife). And when you look at Jack's later output, with creations like Big Barda, it certainly seems like that could be the case, doesn't it? I was discussing it with old-school-Marvel fan [info]papajoemambo who confirmed it for me, telling me he'd heard from Jerry Robinson first-hand that this was essentially the case.

Makes me wonder how greatly Stan and Jack's intent differed in particular panels. For example, here's a panel where the FF are taking a load-off after an exhausting battle. Sue's body-language to me looks to say "you guys are wimps!" (in a playful way, of course). But her mouth is saying something altogether different:



A nice littel "Superman Is A Dick"-style moment from Reed there.

Before I close this entry, here's one last panel. In this sequence, Thing has just broken Sue out of an underwater prison. This one really took me by surprise, exiting the realm of merely sexist to that of outright misogynistic:



I passed it [info]papajoemambo just to double-check if I was reading too much into it, but nope, he saw the same thing. Wonder if Stan had just had an argument with his wife that week, or what?



(Post a new comment)


[info]shadoestar
2007-11-29 06:09 pm UTC (link)
It can be interesting to see how certain iconic superheroes have changed over the years. For example, Superman originally couldn't fly. He could just jump really high and really far. Hence the line, "Able to leap tall buildings in a single bound." Batman was originally willing to kill as a last resort.

(Reply to this)


[info]darkphoenixrisn
2007-11-29 07:40 pm UTC (link)
Good call. I think if Jack had both written and drawn those stories, Sue would have been a much different character.

(Reply to this)


[info]edgarpond
2007-11-29 10:01 pm UTC (link)
I was really sad when Jessica Alba was cast as Sue Storm in the movies. I mean, this was the woman that was going to save the other members of the Fantastic Four on a regular basis? *huff*

Nice post separating the juxtaposition of images and words.

Find me that gun, lady...

(Reply to this) (Thread)


[info]digital_eraser
2007-11-29 10:47 pm UTC (link)
LOL, whenever someone brings up the Jessica Alba Sue, I always think of this video (with voice of Jessica Alba performed by Y: The Last Man artist Pia Guerra).

"Shhhh...they can't see me!"

(Reply to this) (Parent)


[info]fordmadoxfraud
2007-11-29 10:15 pm UTC (link)
That panel with the kids is the cutest thing ever.

(Reply to this) (Thread)


[info]papajoemambo
2007-11-29 11:16 pm UTC (link)

That whole story is great. The FF go "meta" as kids are "playing FF" in the streets of Brooklyn, I think Willie Lumpkin shows up for the first time, they read the mail and answer questions about their background that have nothing to with the story at hand, Sue has an attack of low self-esteem and Ben and Reed remind everyone how important Abraham Lincoln's mother was to the world. They even serve cake at the end. Yes. Crazy, but incredible.

Eight pages of the sort of thing that DC comics would have been utterly mortified to do at the time.

(Reply to this) (Parent)

Nice!
[info]iagainstcomics
2007-12-02 07:36 am UTC (link)
I always thought there was a disconnect between's Stan's voice and Jack's and of the two, I definitely prefer Jack's take on things like heroism and villainy. It tends to be more complex and compelling. And truer.

After all, Stan was the guy who had Adolf Hitler crowing about how Nazism is all about lies and hate and evil and whatnot... and we know that guy would never have believed that about himself, much less said it. Jack would've had him going on about how virtuous and good Nazism is, and then shown its true nature through the terrible things their self-righteousness caused.

That along with his writing Big Barda as the stronger of the two in the Barda/Mr. Miracle relationship says that Jack had a deeper understanding of human nature and a respect for female strength than Stan- or at the very least Stan is pandering to pre-teen He Men Women Haters fandom.

I have a feeling that Jack's hardscrabble upbringing featured a lot of strong, positive female role models.

(Reply to this) (Thread)

Re: Nice!
[info]hawkeye7
2007-12-02 07:38 pm UTC (link)
Jack's outlook was also influenced by his frontline service in WWII as an infantryman, whereas Stan - just a few years younger - did not have to go. In Jack's world view, the world can be bad place, where bad things can happen to good people. In doing what is right, some of that goodness and innocence gets lost.

(Reply to this) (Parent)


[info]skalja
2007-12-02 09:53 pm UTC (link)
This is a fascinating analysis that gives me a whole new respect for Jack Kirby. Thank you so much!

I was wondering; would you mind awfully if I linked to your post on girl-wonder.org? I can think of a lot of folks on the forums who would love to see it, but not everyone there reads When Fangirls Attack.

(Reply to this) (Thread)


[info]digital_eraser
2007-12-02 11:34 pm UTC (link)
Don't mind at all. :-)

(Reply to this) (Parent)


[info]wyliemo
2007-12-03 11:57 pm UTC (link)
Great post! I liked it so much I went through the whole rigmarole of creating a livejournal account so I could comment. It's something I've thought before and offer another example, In "It Started On Yancy Street!", FF#29 on page 20, the Red Ghost has the drop on Reed, Sue leads a charge into the building, leaving Ben and Johnny trailing behind her, she barges into the Red Ghost knocking him into one of the Watcher's devices, which sends RG far, far away. Great! Except, Stan gives Reed some dialogue where he explains he was never in any danger because he knew RG's gun was empty, even though RG didn't, a gun RG discharged once in the story...if your gun only had one shot, you'd think you could keep track.
What's telling is that Stan does not only undermine Sue when he does this sort of thing, he undermines the dramatic potential of the story. I think of stuff like this when people assert Kirby needed Lee to smooth things out. As I sit here I'm imagining the Fourth World with dialogue and captions by Stan...

(Reply to this) (Thread)


[info]digital_eraser
2007-12-04 12:48 am UTC (link)
Wow, that's wild! Yeah, since Essential Vol. 1 only collects up to #20, I haven't get gotten to that issue (or else it would be here ;-)).

(Reply to this) (Parent)


[info]jmatonak
2008-06-19 07:12 am UTC (link)
I know this is an old post, but I consider myself a huge FF fan and I think you're absolutely right.

(Reply to this)


Create an Account
Forgot your login?
Login w/ OpenID
English • Español • Deutsch • Русский…